Later that evening saw the opening of the Thomson & Craighead twitter wall in the new Peacocks 'Worm' space, formerly the artists pad at the Castlegate. As peacocks move forward the new space aims to be a new point of engagement for the public and place where the local and creative community can come to engage, learn and pass on knowledge and ideas. For this piece the artists used twitter to track down all the tweets sent out from a 3 mile radius of the space, the results being diverse to say the least, "Lard in a rowie" being one of my favourites. Along with the Aberdeen Wall they also presented a new video work created with the help of Aberdeen Harbour Board, culling images and video from their extensive archives to create the Control Room and also installing an older piece on the Castlegate title 'Here'.
A huge part of any festivals is the preparation and installation, which often happens behind the scenes but thankfully Grant Anderson was on hand to capture some of the installs for the Doric Boule and The Listener (see below). Created by Nick Ross and Jason Nelson respectively, both pieces took up residence in prominent locations across the city and required a team effort both in their creation and installation. From the cutting and polishing of the granite blocks to the physical task of installing them at Marischal College, The Doric Boule exemplified the team effort required. The Listener also followed a specific blueprint which was realised down to the last detail by the artist and team, creating these beautiful booths which served as both listening point and rest stop for anyone taking in the sites over the weekend.
This years Seed Fund saw 4 artist awarded a grant to create a new piece of work for the festival with Fiona McCubbin, Craig Barrowman and Alan Watson all creating new publicly engaging works along with a special sound piece by Janet McEwan. Fiona's text piece 'Weather The Storm' was installed in Union Terrace gardens and served as a reminder of the conflict heavy world we live in, both politically and socially but also acted as a mirror to show the beauty that exists if you're open to it. Craig created the wonderful 'Through The Looking Glass' mirror wheel which he took for a walk during the festival, reflecting the city back to passers by and again exposing new views of familiar sites. Alan's piece takes the familiar pop up road sign and turns it from generic advice robot into a philosophical idea dispenser. Placed in the middle of St Nicholas church yard, the piece gave people a chance to contemplate their surroundings and offered some food for thought!
The first day was a real whirlwind with so much happening and I haven't even covered the PALM Exhibition and other satellite events which took place across the city centre like The Anatomy Rooms open day, the Look Out cut outs which appeared in various shop windows depicting famous characters from paintings held in the Art Gallery collection, the wonderful show at Gallery Heinzel by Maralyn Reed-Wood or the pop up 'Record Store' at Seventeen. Launch day was finished off with an all vinyl DJ set at UnderDog by Wayne which provided some much needed relief as people danced into the early hours.
There's more to come in Recap # 3 and I'm also working on a short film with Grant which will hopefully give people an insight into how great the festival is and how lucky we are to have it.